Tuesday, July 29, 2014

Download Ebook Una educación / Educated: A Memoir (Spanish Edition), by Tara Westover

Kleemsas | July 29, 2014

Download Ebook Una educación / Educated: A Memoir (Spanish Edition), by Tara Westover

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Una educación / Educated: A Memoir (Spanish Edition), by Tara Westover

Una educación / Educated: A Memoir (Spanish Edition), by Tara Westover


Una educación / Educated: A Memoir (Spanish Edition), by Tara Westover


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Una educación / Educated: A Memoir (Spanish Edition), by Tara Westover

Review

La crítica ha dicho...«La historia más poderosa sobre el poder transformador de la educación que he leído nunca. [...] No hay libro que pueda competir con Una educación.».-Caroline Sanderdon, The Bookseller«Un deslumbrante ejemplo de lo que se puede llegar a conseguir cuando uno se propone hacer algo. [...] Una novela de iniciación única e inspiradora.».-BBC News«Uno de los grandes fenómenos editoriales de la temporada.».-Library Journal«Maravilloso. No hay sentimiento igual al de descubrir a una joven escritora con tanto talento.».-Stephen Fry«Un sorprendente relato de superación y realización personal.».-Kirkus Reviews«Un debut ardiente.».-Publishers Weekly«Impresionante y alentadora.».-Mail on Sunday«Westover consigue transmitir ternura y honestidad salvaje, no perdona a nadie, ni siquiera a sí misma. [...] Una educación es algo más que la historia de un éxito.».-Amanda Winterroth, Booklist

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About the Author

Tara Westover nació en Idaho en 1986. Inició sus estudios en la Brigham Young University con diecisiete años y se graduó en Arte en 2008. Gracias a varias becas pudo seguir estudiando y obtuvo un posgrado en el Trinity College, Cambridge, en 2009. Consiguió una maestría en Filosofía y se graduó en Historia en 2014, después de una estancia en la universidad de Harvard. Actualmente reside en Londres. Una educación es su primer libro, que se ha traducido en veintidós países y ha sido aclamado por los lectores y la crítica. Está considerado uno de los libros más importantes del año según The New York Times, BBC, Daily Express, Library Journal y Entertainment Weekly, y ha figurado desde su publicación en las listas de más vendidos.

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Product details

Paperback: 472 pages

Publisher: Lumen; Translation edition (December 18, 2018)

Language: Spanish

ISBN-10: 1949061493

ISBN-13: 978-1949061499

Product Dimensions:

6 x 1.2 x 9 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#15,200 in Books (See Top 100 in Books)

Este libro recrea la cruda y desgarradora historia de una mujer que desde niña padeció el tiránico yugo de su padre, la crueldad y violencia de un hermano y la pasividad inerte de su madre. Es el relato de la transformación de una mujer que escapa por méritos propios a un cautiverio basado en la ignorancia para obtener una educación que la libera. Al principio la historia parece inverosímil, después duele y te atrapa una sensación de caída libre que impide dejar el libro hasta acabarlo. Recomendada como una de las mejores historias del 2018 por The New York Times, The Washington Post, The Boston Globe, la BBC, Bill Gates, mi querido amigo, el Prof. German Céspedes, y un servidor.

El libro narra la vida de la escritora, Tara Westover. No solo trata de que ella es mormona y sus padres no la mandan a la escuela ni al colegio. También toca temas como la violencia familiar, que en cierto punto es aceptada como normal. No se trata de un ataque a una religión en particular, pero también se habla de como la religión termina afectando el aspecto social de nuestros días, en donde terminamos juzgando a otras personas por los patrones que autoridades religiosas imponen.

Me gustó leerlo. Es de una lectura amable, simple, a la vez profunda y entretenida. Me resultó muy relevante para comprender la imposibilidad de amor auténtico cuando hay patologías mentales disfrazadas de creencias rígidas de cualquier tipo. Y lo difícil que es discernir esto para alguien que está inmerso en una familia y un entorno así, y poder salir de alguna forma, perdiendo cosas y ganando otras.

La importancia de la educación se muestra evidentemente en este libro, una historia de vida, de esfuerzo y de lucha interna por romper los paradigmas que se le inculcan mientras crece. Es genial que un relato tan ameno, cuente una historia cruda que da paso a mucha reflexión. Lo recomiendo mucho!

Es una historia brutal, que no parece tener cabida en esta época, desgraciadamente es mas comun de lo que quisiéramos. Ojalá nos despierte para hacer algún cambio en nuestra propia vida y a favor de quienes sufren estos casos.

Excellent book

Excelente relato. Por momentos invita a la reflexión.Buena obra sobre cómo la educación puede cambiar a una persona. Felicitaciones

Me gustan los escritos en primera persona, la escritora nos invita a su mundo sin sesgar.

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Friday, July 18, 2014

Free Ebook Business Law: Principles, Cases and Policy

Kleemsas | July 18, 2014

Free Ebook Business Law: Principles, Cases and Policy

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Product details

Hardcover: 1158 pages

Publisher: Stipes Pub Llc; 7 edition (January 20, 2011)

Language: English

ISBN-10: 1588749401

ISBN-13: 978-1588749406

Product Dimensions:

8.2 x 0.8 x 10 inches

Shipping Weight: 4.1 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

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Amazon Best Sellers Rank:

#129,977 in Books (See Top 100 in Books)

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Friday, July 4, 2014

Free PDF Three New Deals

Kleemsas | July 04, 2014

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Three New Deals

Review

“Controversial, well written, and convincing, this is historical analysis at its most invigorating.” ―Minneapolis Star-Tribune“Schivelbusch is a brilliant cultural historian . . . who brings a comparative cultural focus to the 1930s with fascinating and provocative ideas.” ―Los Angeles Times Book Review“Illuminating.” ―Bloomberg News“A feast of ideas, many of them strikingly appropriate to our own bellicose times.” ―San Francisco Chronicle on The Culture of Defeat“Fresh and provocative . . . A novel and thought-provoking book.” ―Houston Chronicle on The Culture of Defeat

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About the Author

Wolfgang Schivelbusch is an independent scholar who divides his time between New York and Berlin. His books include The Railway Journey, Disenchanted Night, and Tastes of Paradise.

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Product details

Paperback: 258 pages

Publisher: Picador Paper; 1st edition (November 27, 2007)

Language: English

ISBN-10: 0312427433

ISBN-13: 978-0312427436

Product Dimensions:

5.5 x 0.6 x 8.5 inches

Shipping Weight: 14.1 ounces (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

14 customer reviews

Amazon Best Sellers Rank:

#494,470 in Books (See Top 100 in Books)

This book, a brief work of cultural history, outlines four parallel aspects of three political systems: the American New Deal, Italian Fascism, and German Nazism. The point of "Three New Deals" is that these political systems shared core similarities in certain programmatic manifestations. The author, Wolfgang Schivelbusch, fortunately does not claim that the three systems were essentially the same. He offers, instead, a discussion of the interplay between the governed and the governors in each of these systems—how each shaped the other, in ways that can be compared and contrasted across systems. The result is a book of modest interest from which, perhaps, something more can be spun.While cultural history is interesting, my purpose is not to examine "Three New Deals" as a view on the past, but as an onramp to the future. What applicable lessons, what tools, can we learn from this look at the troubled 1930s, when, like now, liberal democracy seemed like a dying system? By lessons, I do not mean pedagogical lessons, helping us to get liberal democracy back on track, since I don’t want to get it back on track. I mean how can what worked then to build mass support for political systems be used today to the same effect? Certainly, if the New Deal is not disqualified from polite society by its parallels to true Fascism and to Nazism, there is no particular reason a fourth, future, polity with the same parallels should be disqualified.I really need a name for this political program that I am constructing. It is, of course a reactionary program—in my usual phrase, “a new thing informed by the wisdom of the past.” Generically, I refer to it as Reaction, but that is neither evocative nor adequately precise. That will not catch fire. In part, the problem is that it’s hard to name a program that is not an ideology, but rather a set of principles based on history and human nature, which does not promise utopia, or guarantee happiness or universal justice, but merely offers living within the truth, and maximum possibility for human flourishing. “Restorationism,” a related term, is too backward looking for my purposes; the past is gone, which is a key principle of mine, and anyway not all elements of any past were wholly desirable. I am struggling to come up with something good. Neo-Realism? If you have an idea, let me know.But let’s parse the book. Schivelbusch makes clear his own angle from the book’s epigraph, a quote from David Hume: “As force is always on the side of the governed, the governors have nothing to support them but opinion. It is, therefore, on opinion that the government is founded; and this maxim extends to the most despotic and the most military governments as well as to the most free and popular.” We can forgive Hume his delusion that force is “always on the side of the governed”; he lived far away from Oriental despotism and long before both the modern totalitarian state and our own Cthulhu state. But his major point is insightful—that public opinion matters to any government. (In addition to public opinion, what he called “opinion of interest,” Hume was also talking about legitimacy, or what he called “opinion of right.” They are related, but not the same.) One necessary conclusion is that the support of the public is essential for the stability of any government, and its ability to fulfil its program, and the more support, the better. This is, no doubt, why Schivelbusch chose this epigraph, for the rest of his book discusses how public opinion was shaped by the the three regimes that are the subject of his study.The critical importance of public opinion in all times and places isn’t news, of course, and has little or nothing to do with democracy. José Ortega y Gasset pointed out that force, even in the modern world, followed public opinion. Julius Caesar and Augustus both were keenly aware of the need to keep public opinion, both aristocratic and plebian, in their corner. Such examples could be multiplied endlessly through the centuries. The trick, therefore, for those in charge is how to shape and shift that public opinion, rather than being tossed about by it. Such an effort is like the martial art of aikido—if you use your opponent’s own motions, but redirect them, it is a lot easier to win than by simply trying to overwhelm one force with another. In the same way, it is easier to create channels for public opinion and thereby lead and direct the flow in the desired direction, within the limits set by the opinion itself, which will vary in time and place. How to carve those channels, in four different ways, is the topic of the rest of Three New Deals.Schivelbusch begins with “Leadership.” While Roosevelt is now, as viewed through the prism of World War II, seen as the antithesis of Hitler and Mussolini, in the early 1930s all three were perceived as charismatic leaders outside the established system, who stood apart from the traditional ruling class and built a “direct emotional connection with the masses.” “Commentators freely noted areas of convergence among the New Deal, Fascism, and National Socialism. All three were considered postliberal state-capitalist or state-socialist systems, more closely related to one another than to classic Anglo-French liberalism. Hitler, Mussolini, and Roosevelt were seen as examples of plebiscite-based leadership: autocrats who came to power via varying but thoroughly legal means.”The mechanisms for, and therefore the impact of, this emotional connection to leadership were different: Hitler used the mass rally; Roosevelt the radio, “yet both were collective experiences.” Schivelbusch points out that the perception we have from speech excerpts of Hitler simply ranting is wrong; his speeches started and ended calmly, in a deliberate structure, and were regarded at the time as incredibly effective, just like Roosevelt’s “fireside chats”—especially at making the listener feel like he was being directly addressed. Both were carefully constructed and honed for maximum impact by the men who delivered them, who had a gift for oratory. Yes, it’s difficult to compare the two, in part because radios were much more common in American homes and, obviously, radio lacked the mass drama created by Hitler’s staging and a surrounding crowd (Schivelbusch naturally cites Gustave Le Bon). “Yet in both cases, the end result was similar. The individual abandoned [himself] fully to the speaker. . . .”So now we have our first necessary element in a modern program: a charismatic leader in the same mold, that is, one having this direct emotional connection with individuals while actually addressing them en masse. Modern exemplars are thin on the ground; no Western modern politician has had any element of this charisma. Barack Obama was puffed as a great orator; we can ignore whether that’s actually true, but note without dispute, I think, that charisma does not derive from positive reception by people who already agree with you. I doubt if anybody at all was ever convinced of anything by an Obama speech; his oratory was purely designed for the faithful. And, of course, like all modern politicians, it wasn’t his oratory at all—he read, word-for-word, speeches written for him by others. I’m pretty sure it’s impossible to create a “direct emotional connection” that way. Donald Trump may be good at the rabble rousing speech, and he is more extemporaneous, but his speeches are hardly honed, and he is also preaching mostly to the choir. Trump may be charismatic, but he is far too undisciplined to be this type of leader.Arguably, the rise of such a man is more difficult than in the past, simply because collectively addressing the masses requires them to pay attention, and people have so many different ways to spend their time, and money to satisfy their tastes. This is exacerbated by the atomization of society and the destruction of intermediary institutions, which, for good and bad, can impose pressure on their members to participate collectively. It’s not clear to me that in the present dispensation any charismatic leader could get traction—say, approval by 85% of people. In any case, it seems to me such a man must spring up full grown, like Athena from the head of Zeus. We will not wake up one day with Ted Cruz or Gavin Newsom as Maximum Leader. If such a man does arrive, we will know it—again, for good or bad. For my purposes, therefore, there is nothing to do to hasten this tool for implementation of the program.Schivelbusch next turns to “Propaganda,” “the means by which charismatic leadership, circumventing intermediary social and political institutions like parliaments, parties, and interest groups, gains direct hold upon the masses.” As he points out, World War I led to the massive use of extremely aggressive propaganda by the United States government. All successful propagandists, though, start by grasping what public opinion is, along with where it is trending, and then reinforce what are perceived as desirable opinions, or “illuminate the people if those trends lead nowhere,” in the words of Joseph Goebbels that Schivelbusch quotes. While the general form of propaganda was similar, the New Deal government, unlike the Third Reich, did not have propaganda directed from a central ministry. Instead, it had coherent propaganda diffused through multiple departments, responding to direction from Roosevelt. And American propaganda relied on cooperation, which it got, from the press, sometimes helped along by pressure, rather than direct coercion, although the Nazis did not often have to use coercion either.Beyond direct narrative propaganda of the obvious sort, the role of symbols was extremely important. Schivelbusch contrasts the successful Nazi use of symbolism (in part derived from Communist use of symbols) with the insistence upon strict rationality by their Social Democratic opponents. He gives the example of how the SD failed to push the powerful design by Sergei Chakotin of the “Anti-Fascist Circle,” three downward pointing arrows. (This symbol is still used by the so-called Antifa. That’s a topic beyond today, but it is interesting that Schivelbusch notes the quote attributed to Huey Long, “When America gets Fascism it will call it Anti-Fascism.”) Not that Schivelbusch thinks the SD could have won with more skillful propaganda; his claim is that “Propaganda works best in the service of a movement that is already on the rise, and its most effective moment comes in periods of crisis and revolution, when a fading regime is losing its potency and the nation’s will is as yet undecided.” No doubt Carl Schmitt would have had much to say on this.One equivalent in New Deal America was the Blue Eagle of the NRA (not the good one, rather the “National Recovery Administration”). This was the central symbol of an extremely aggressive, though relatively brief, campaign by the Roosevelt administration to force “voluntary” price and wage controls, through identifying by display of the symbol those people who were good and those who were bad, and thereby creating a snowball of psychological compulsion. The head of the NRA, Hugh Johnson, called for social ostracism and boycotts of those not participating, though he didn’t call it a boycott. Rather, merchants not participating went out of business because “The public simply cannot tolerate non-compliance with their plan.” Thus, the Blue Eagle was a classic form of what Schivelbusch calls the “symbolism of compliance.” Its equivalent in Germany was the use of “Heil Hitler,” display of swastika flags, and so forth. Its equivalent today is “Resist” and “I’m With Her” stickers, yard posters lying that “Hate Has No Home Here,” or signs in shop windows saying “Workers of the World, Unite” or “This Business Serves Everybody.”The purpose of all 1930s propaganda, narrative or symbolic, was to create the psychology of “voluntary compulsion.” It was not a substitute for actual political programs, which were offered and repeated in detail, but were given punch by symbolism. “What captivated the public imagination was not any particular project and its chances for success but the emotional charge of how such projects were presented.”So what does this imply for my program? It implies, for one, that modern “movement” conservatives are functionally worthless. (Sorry to my friends in the conservative movement.) Ideas may have consequences, but theirs don’t, because the masses aren’t listening, and they’re not going to wake up one day, realize what they’re missing, and rush to consume journals of opinion or YouTube videos with 324 views. The conservative movement does have uses—for example, building Rod Dreher’s Benedict Option can be done through such a movement and its publications. By definition, the Benedict Option is not a mass movement (though the government, with the support of the masses, if they are not turned by an angel with a flaming sword, or a man with an AR-15, will crush the Benedict Option, as I have said before and I will shortly expand upon). But good propaganda has exactly zero traction on the intellectual Right today (though “MAGA” does have some pull). It has somewhat more traction on the Left, but, really, not much by historical standards.Perhaps, in any case, propaganda’s effect is lessened today for the same reason that charismatic leaders cannot get the focused attention of the masses, and modern symbols of compliance often feel washed out —there is a lot of competition for eyeballs. I’m not sure what an effective propaganda campaign would look like; the only ones we have today are facile ones that ask of people nothing other than costless virtue signaling. Certainly, such virtue signaling is not costless for others, like orthodox Christian bakers, and such propaganda does have a real impact on the masses, but it seems to me there is little of the visceral, or any “emotional charge,” about it. One moment a flash of contempt for the Christian, who dares deny that “Love is Love is Love” is a profound truth; the next moment it is forgotten as Netflix offers a smorgasbord of cotton candy for the brain. For any propaganda to be successful in catching the vast majority of people and pushing them in a particular direction, good symbolism or no, it would have to be tied to some focusing event, jarring people out of their lives of ease and comfort to think for themselves again. If grabbed at that moment, let’s say at the same time the charismatic leader seizes the day, then we are well on our way to rerouting public opinion through our new channels.I will also note in passing, and keep discussion for another day (sorry I keep doing that), that good propaganda requires good creative ability. In the post-war era, creative types tend to be left-wing. Certainly, artists have not historically been left-wing; this is a wholly modern phenomenon, the basis and future of which bear examination. But as I say, not today. I also note that one necessary lesson from this discussion of leadership and propaganda is how rapidly the consensus represented by public opinion can shift. Public opinion is like a counter-weighted elevator; it seems like it would take an enormous effort to shift its direction, but it is so balanced that small changes reverse it entirely, multiplying the impact of both leadership and propaganda.Up next, Schivelbusch covers “Back to the Land.” Nationalism, in the sense of a classless community of the nation; and its cousin, autarky, get a brief treatment. Of course, the community of the nation has its enemies; in America, those were the “money changers” blamed by Roosevelt (not an anti-Semitic reference) and the supposed war profiteers. The governments in all three countries explored forms of regionalism and autarkic back-to-the-soil movements, in part a reaction to economic depression and resulting unemployment in cities, in part a form of re-enchantment and retreat to a supposedly more virtuous, primordial way of life, a type of “organic authenticity.” In the United States, this led to a lot of talk, and the construction of the abortive Arthurdale planned community in West Virginia. The Germans also nattered a lot about “settlements” (Siedlungen), but those never went much of anywhere inside Germany (still, it seems to me, though Schivelbusch does not mention it, that these same concepts must have underlain the plans for German repopulation of the “new lands to the East,” after the inconvenient Untermenschen had been seen off). Schivelbusch does not see these “back to the land” movements as a failure, however—he sees them as an integral and successful element of the overall propaganda effort of both the American and German regimes.My program is not going to have any back-to-the-land component. While there is something to be said for keeping farming as a possible occupation simply for nostalgia, modern agriculture doesn’t need family farms, nor does farming offer anything that catches and channels public opinion. Neo-Realism, or whatever we are calling it, will not offer price supports to farmers. It will not allow factory farming, either, though—allowing fat people to hoover up huge quantities of cheap fried meat is antithetical to human flourishing, and while animals have no rights at all, it is our duty to treat them, to exercise our dominion over them, in a moral fashion, which factory farming does not. But the days of working the soil for any significant portion of the population are over, and there is nothing inherently more virtuous about farming than any other occupation—though, certainly, total detachment from nature is not desirable, so there will be plenty of parks, national and otherwise.Finally, Schivelbusch turns to “Public Works.” Mussolini finally gets some mention (he is mostly missing from the first three topics). Here we return to neoclassical monumentalism, which, let’s be honest, impresses everybody. You are lying if you think Le Corbusier holds a candle to, say, the Jefferson Memorial. Classic architecture is classic for a reason. “Scholars gradually recognized neoclassical monumentalism—whether of the 1930s, the Renaissance, the French Revolution, or the Napoleonic empire—for what it is: the architectural style in which the state visually manifests power and authority.” In Washington, D.C., “most of the large neoclassical buildings associated with the city today were built between 1933 and 1939.” Similar projects were undertaken elsewhere. True, there are limits to this. The monstrous proportions of buildings proposed, but never built, by Hitler and Stalin take this arc too far, becoming anti-human and enshrining the state as a false god (the Amazon series "The Man in the High Castle" portrays many of these buildings as if-built; this reality comes through clearly).But buildings are only a small part of it; a government desiring to create a new thing must offer a broad range of public works that embody a unifying philosophy and create a unifying effect. Mussolini drained the Pontine Marshes and constructed therein new cities, “three-dimensional representations of the Fascist ideals of organization, control, and the absence of urban chaos.” The struggle to tame nature gave Fascism an epic tale that fit with charismatic leadership and propaganda; a masculine battle against disorder. In America, the equivalent, with less bluster but on a grander scale, was projects like the Tennessee Valley Authority (also used to extend the reach of the federal government beyond traditional limits). The Germans had the autobahn.[Review completes as first comment.]

Schivelbusch is an excellent analyst of political culture. He compares Roosevelt's new deal with Mussolini's Fascism and Hitler's National Socialism. The book is not a smear of Roosevelt, but rather an examination of how the prevailing political ideals of rationality and organization were implemented in the three countries. There is also thoughtful analysis of the use of media, radio in the US and rallies in Europe.

This is a truly brilliant book. It highlights the fact that political and economic crises often produce similar results, specifically a centralization of state power. Some people may not like this book because it suggests similarities between Roosevelt's New Deal and Fascism. However, the point here is not to suggest Roosevelt was racist or antisemitic (a totally idiotic notion) but to focus on the much larger issue of the use of state power in a crisis. The book has important lessons for the future. The current world order is doing a very poor job is dealing with deadly threats like the global environmental crisis. In a new series of world crises there is likely to be a huge centralization of power. Albert Speer once observed that when fascism comes back, it will come back as anti-fascism. The larger issue here is totalitarianism and its potential role in the world future.

If you want to know how completely corrupt FDR was, read this book.SEE what they planned for us. Extremely well written and documented. You should read if you want to know what the New Deal meant for our folks and for their children... yeah, you and me.

This book was obviously the predecessor to Jonah Goldman's best selling 'Liberal Fascism.' This is a quick study of reviewing governmental trends in the early 20th Century in response to post-WWI problems and the Depression.My only criticism is the minimal coverage of Mussolini's corporate state that was actually the blueprint for Hitler's programs and Roosevelt's New Deal. Mainly the comparisons are between Germany and the United States.This book could have also been longer with a more in depth review of these three societies. For a more in depth analogy albeit more politically-biased review, I would recommend 'Liberal Fascism.'

This book read well and had useful information; however, it was just the tip of the iceberg. The book was simply too short. The parallels between Roosevelt, Hitler, and Mussolini are clearly made. If that was the only premise of the book, then the author was very successful. But he could have had an expanded ambition and illustrated how the other was more successful.

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Monday, June 23, 2014

PDF Download Vagabond, Vol. 3 (VIZBIG Edition), by Takehiko Inoue

Kleemsas | June 23, 2014

PDF Download Vagabond, Vol. 3 (VIZBIG Edition), by Takehiko Inoue

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Vagabond, Vol. 3 (VIZBIG Edition), by Takehiko Inoue

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Vagabond, Vol. 3 (VIZBIG Edition), by Takehiko Inoue


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Vagabond, Vol. 3 (VIZBIG Edition), by Takehiko Inoue

About the Author

Takehiko Inoue is the creator of one of the most popular manga of all time, Slam Dunk, which has sold over 100 million copies worldwide. He followed that series up with two titles lauded by critics and fans alike--Vagabond, a fictional account of the life of Miyamoto Musashi, and Real, a manga about wheelchair basketball. Inoue is the recipient of numerous awards, including the prestigious Tezuka Osamu Culture award and the Media Arts Festival Award. In addition to his work on manga, Inoue has worked on television commercials, character designs for video games, and is the founder of a scholarship to foster Japanese basketball talent.

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Product details

Paperback: 616 pages

Publisher: VIZ Media LLC (April 21, 2009)

Language: English

ISBN-10: 1421522454

ISBN-13: 978-1421522456

Product Dimensions:

8.6 x 1.5 x 5.8 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

34 customer reviews

Amazon Best Sellers Rank:

#68,769 in Books (See Top 100 in Books)

This 3-in1 volume monster of a book is very well presented, perhaps the best quality trade paperback for an omnibus manga you will currently buy. I own Naruto (soon to be Bleach and it's practically the same quality), Until Death Do Us Part, Neon Genesis Evangelion and Lone Wolf & Cub omnibus mangas... all of these titles pale in comparion to this VizBig Edition manga! When this book came in the mail it was a little heavy but upon opening the package I understood and immediately accepted the fact that I will do everything in my power to own all of these volumes. You will get your money's worth.Everyone else wrote accurate enough reviews on the story of Vagabond so I would recommend reading those. I wanted to share my experience on actually owning the book. Even if you own the previous volumes, I would find a way to own the omnibus edition for the additional features like more colored pages.

After angering the swordsmen of the Yoshioka School in Kyoto, Takezo (now going by the name Miyamoto Musashi) travels to Nara to face Inshun, master of the Hozoin spear technique. Along the way he encounters the monk Takuan, who tries to get him to accept the true nature of his feelings for the lovely Otsu. He also picks up a young disciple and is stalked by an assassin of the Yoshioka school. Several extended sequences detailing the duel between Musashi and Inshun highlight Musashi's strengths and weaknesses as a fighter. He retreats to the mountains to continue training and soul-searching so he will be able to defeat Inshun at their next encounter. This volume also picks up on Matahachi's continuing deceitfulness as he tries to pass himself off under the name of a dead samurai, Sasaki Kojiro.Amazing historical detail, rousing action, intriguing plot, and complex characterization combine with jaw-dropping artwork to make this an absolutely outstanding manga series. Highly recommended!

I enjoy the first like 5 volumes of this series the best. Everything before you have to read about the damn blind dude so the story is split between the two and then some side characters get there own little stories. This volume how ever is great.

I like this manga very much, but since the quality of it is subjective find no reason to expand. Yet, I believe my opinion of the quality of the binding is very much objective, and it is not very good: unlike the first volume, for some reason this one's pages seem fall off and, "spines" form in the back of the book (which is odd, since the first volume is thicker, yet i had no such problems with it).

This 3-in1 volume monster of a book is very well presented, perhaps the best quality trade paperback for an omnibus manga you will currently buy. I own Naruto (soon to be Bleach and it's practically the same quality), Until Death Do Us Part and Lone Wolf & Cub omnibus mangas... all of these are pale in comparion to this VizBig Edition manga! When this book came in the mail it was a little heavy but upon opening the package I understood and immediately accepted the fact that I will do everything in my power to own all of these volumes. You will get your money's worth.Everyone else wrote accurate enough reviews on the story of Vagabond I would recommend reading those. I wanted to share my experience on actually owning the book. Even if you own the previous volumes, I would find a way to own the omnibus edition for the additional features like more colored pages.

love it

I started collecting this series because it is based upon the life and times of Miyamoto Musashi. I am a big fan of the Feudal era of Japan and all things Samurai.Vagabond has not disappointed me at all. The third volume is as good as the first two. This volume is based upon a new foe for Musashi and we get to see a new weapon wielded. Without touching on any spoilers I will say that I enjoyed the book immensely. The sheer thickness of these books looks daunting, but I find that they are a fast read. I think the artist is very skilled and love that random full color pages have been interspersed among the black and white. I wish these came in some sort of large format hardcover offering but that does not detract from what has been a very fun series. The prices of these books are a bargain since you get a lot of story in each extra thick volume. The spines of these volumes look excellent on my bookshelves because they fit together to form one long image, like a puzzle. When it is completed I am sure it is going to catch people's attention. I do only give them 4 stars because the binding is not sewn, but glued, and the thickness can make it a bit hard to see the entire page towards the middle of the book. I will, however, purchase all of these, and cannot wait to read the whole series.

Dependable

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Thursday, June 19, 2014

Free Download Conquistadors of the Useless, by Lionel Terray

Kleemsas | June 19, 2014

Free Download Conquistadors of the Useless, by Lionel Terray

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Conquistadors of the Useless, by Lionel Terray

Review

If my library was to somehow catch fire and I could save one book, the long out of print Conquistadors of the Useless, by Lionel Terray, would be it. The great news for readers is that this classic book has finally been reissued by The Mountaineers...[Terray] is someone you will wish you had a chance to know and learn from -- about nature, the mountains and the human spirit. Since he is no longer with us, this book is all that we have. And that is why this reissue is so welcome." (William Buxton Explore Magazine)

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About the Author

LIONEL TERRAY made first ascents in the Alps, Alaska, the Andes and the Himalaya.

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Product details

Paperback: 372 pages

Publisher: Mountaineers Books; 7/16/08 edition (September 16, 2008)

Language: English

ISBN-10: 1594851115

ISBN-13: 978-1594851117

Product Dimensions:

6 x 1.1 x 9 inches

Shipping Weight: 15.2 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

43 customer reviews

Amazon Best Sellers Rank:

#435,523 in Books (See Top 100 in Books)

I had heard of Lionel Terray many years ago, as a young man... probably when I read Maurice Herzog's "Annapurna", in junior high school, and perhaps once or twice after that. But in my recent reading of Ed Viesturs' "The Mountain: My Time on Everest", he mentioned that Terray's book had been translated from French into English, and the couple of excerpts Ed included in his text intrigued me. So I ordered "Conquistadors" on my Kindle feed.Terray's account of his early life and climbs is nothing less than fascinating. He narrates these events in an engaging style, neither self-aggrandizing nor unduly criticizing his contemporaries. If anything, Terray is overly generous in his praise of his fellow climbers in the Chamonix guides, the Himalayan expeditions, and elsewhere. His self-deprecating manner at times is wry but not overdone, in my estimation.As I read his book, I was repeatedly impressed by his accounts of various climbs, their challenges and cruxes, and so forth. He makes these incredible efforts sound as if they were effortless, particularly his climbs with his early partner, Gaston Rebuffat. Only when one views the photographs of some of these climbs at the end of the book does the scope of his understatement become clear! Terray's landmark climbs--the Walker Spur of the Grandes Jorasses, the Nordwand of the Eiger, and the southeast face of Fitzroy come particularly to mind, for me--were truly stunning achievements in their day, and would be a feather in the cap of any mountaineer of my time, and today.I'm an old fellow now and my climbing days are decades behind me. But reading Terray's memoir brought back a spark of excitement about climbing I haven't felt in years. I highly recommend this book.

Ed Viesturs mentioned this book a few times in his own works so after finally reading Annapurna I decided to give this a shot. I rated it 4 out of 5 only because Mr. Terray needed an editor who would have told him to pick one story and tell that. He should have stuck to mountaineering or his war experiences. It's a loosely woven memoir of his life but inconsistent on where he adds detail and what he skips over completely. It's a good read though--my guess is if you're a climber then the amazing detail of various climbs will be fascinating and thrilling to read. For a non-climber it got a bit tedious but I knew I wasn't the right demographic. The editor for this translation did a great job of annotating details that really needed explaining for English speakers and non-climbers and was much appreciated by this reader. If you're looking to read about the early days of climbing the 8,000 meter mountains read Annapurna and The Will To Climb, first then read this book--you'll want the context.

If you have read my other reviews on many of the mountaineering genre you will find that I personally find it very hard to find a modern mountaineering adventure story. Mountaineering literature is so suffused with the quest for money, huge personal egos and quests for climbing garbarge strewn summits that there is little time to note the adventure.In old mountaineering books they almost never have enough money, they climb with holes in their socks and equipment that make modern mountaineers shiver. They also summit and do routes of incredible complexity and skill that even modern mountaineers find hard to match -- and they all seem quite happy to hang off the Eiger North Face on a single piton...!Terray fits this genre par excellence. He was famous in his day, but his name is not often mentioned around campfires today... (he is perhaps the French equivalent of Moe Antoine of Britain). He climbed some very technical routes with many first ascents, but throughout the book, the amazing thing is that he also does a lot of very hard climbs that most people, even in mountaineering circles have never heard of, nor want to undertake... Hence I believe the Title of his book -- the conquering of brilliant but largely useless summits.Terry offers great and nailbiting vignettes of his climbs all over the world. Starting with climbing the Walker Spur, the Second Ascent of the Eiger North Wall, and the French Classic climb of the first 8000-metre summit, Annapurna. Each chapter is a real page turner. When you are in the middle it is hard to put down... you can feel the tension build in some parts such as the numerous traverses on the Eiger, the uncertainty of route finding... the terror of the long run outs of rope... where downclimbing is about the scariest option one can think of..The early work on the Eiger is well recounted and the rescue of the Cassin Expedition. He also covers a lot of ground on the climbing of Annapurna with no overlap with Herzog's classic. I was particularly impressed with the amount of bushwacking Terray and crew had to do just to get access to the mountain glaciers. They were using maps and entering valleys no outsider had seen. This raw adventure, lower than summit peaks with its route finding conundruns, waterfall climbing, backtracking down blind valleys, is supremely exciting. It is in fact a joining of the exploration genre with mountaineering.The other summits are just as stupendous but less known. Terray saw the South Ridge of Mt Hunter in Alaska and thought it the most beautiful he had seen. He had to climb it. While not high by Himalayan standards this Frenchman set a new North American standard with his long and arduous ascent.Also there is one of the most exciting (and rare) accounts of Alpine Mountain Warfare that I know. At the end of the war he was attached to the French Alpine Regiment. Despite his knowledge that the war in the Alps would never hasten the end of the war even a single day, he fought as a good soldier should. But one does admire Terray in other ways. If this front would not be decisive in any way, why kill people he mused? He therefore devised daring raids upon German Mtn Troops. On one of them they scale a couloir, climbed a rock face and bivvied in a snow cave on the opposite side of a rock outcropping. The next day they set up their machine gun and duly strafed the German positions -- "not really aiming at anyone and hoping to hit noone." After scaring the Germans silly he and his partner decamped and slid back to their camp. Mission accomplished and no one dead. His other exploits were not so bloodless as when they attacked a heavily defended German position up sheer rock faces under their supporting artillery fire --- but the effect and accurary required to pinpoint targets on ridges meant that most of the rounds missed and fell upon the cliffs with the resulting French Chaussers suffering their own friendly fire.I must add that there are a lot of pictures in the book about his climbs in Patagonia, but these only get a brief mention in the book. The fact that he was soon dead after this was published is also a tragic note on which to end. But here is pure adventure that this Frenchman lived and but that the rest of the world could discover his raw love for nature, the challengce of the climb and love for only adventure... A ripping yarn... Thank you Lionel!

Surpasses Annapurna as my favorite mountaineering book ! LT"s poignant writing style seems modern and fresh despite its age. His observations of daily life, amazing climbs, everyday life and even combat in WW2 are worth the price of admission. Highly recommended! RR

A good autobiography of a mountaineering legend. I enjoyed this book but can be tedious at times and when he gets to the climbs they are over and done with sometimes two paragraphs. seemed to spend more time talking about what he did in between climbs.

Recommended for enyone interested in mountaineering or mountains overall

I enjoyed the adventure and constant insights into each meaningful experience Lionel had throughout his mountaineering career. It was a pleasure to read his shifting attitude toward climbing and his newfound connection to the people of the land he visited. I’d love to watch the documentaries he filmed according the book.

I really enjoyed the well written, detailed accounts of his life. Goes well beyond climbing into the culture and life during the 2nd war in the French Alps.

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Tuesday, June 17, 2014

Ebook Fatal Numbers: Why Count on Chance (Subway Line), by Hans Magnus Enzensberger

Kleemsas | June 17, 2014

Ebook Fatal Numbers: Why Count on Chance (Subway Line), by Hans Magnus Enzensberger

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Fatal Numbers: Why Count on Chance (Subway Line), by Hans Magnus Enzensberger

Fatal Numbers: Why Count on Chance (Subway Line), by Hans Magnus Enzensberger


Fatal Numbers: Why Count on Chance (Subway Line), by Hans Magnus Enzensberger


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Fatal Numbers: Why Count on Chance (Subway Line), by Hans Magnus Enzensberger

Review

Enzensberger cleverly helps us understand the fine line between fact and fiction when it comes to the movements in financial markets by revealing that economic fundamentals are of limited value: in the end, prices and market direction are determined by financial speculation. --Sanford L. Herzfeld, Director and Senior Vice President, David William Securities... to say that Enzensberger has reinvented the essay would hardly be an exaggeration; he has customised the form with a gusto verging on virtuosity ... --The Independent... one of Germany's leading public intellectuals ... Enzensberger is the most important postwar writer you have never read ... --London Review of Books

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About the Author

Best-selling author of The Number Devil, Hans Magnus Enzensberger has been at the forefront of the German and European cultural scenes for more than four decades. He has published over sixty books of poetry, prose, and cultural and political commentary that have been translated into more than forty languages. The many honors and awards he has received include The Georg Büchner Prize, the Heinrich Böll Prize, the Heinrich Heine Prize, the Erich Maria Remarque Peace Prize, and the Griffin Lifetime Recognition Award.

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Product details

Series: Subway Line

Paperback: 52 pages

Publisher: Upper West Side Philosophers; 1st edition (February 2, 2011)

Language: English

ISBN-10: 1935830015

ISBN-13: 978-1935830016

Product Dimensions:

4.7 x 0.2 x 7.2 inches

Shipping Weight: 4 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,649,492 in Books (See Top 100 in Books)

I have recommended this book to a number of people. It's a concise demonstration of how probabilities can be non-intuitive, misunderstood, or misused. It includes some really terrific examples and is interesting whether you have a strong math background or simply an interest in prob & stats.

"Fatal Numbers" is an engagingly written anatomy of the myths human beings have created about certainty. Using cogent reasoning leavened with wry humor, Enzensberger examines the poignant need we have for The Sure Thing, in lotteries as in life. The book is very enjoyable in its interrogation of many aspects of everyday thinking and behavior, and will bring satisfaction whether one is a serious student of statistics or simply looking for a smart book for subway or beach reading.

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Fatal Numbers: Why Count on Chance (Subway Line), by Hans Magnus Enzensberger PDF

Fatal Numbers: Why Count on Chance (Subway Line), by Hans Magnus Enzensberger PDF
Fatal Numbers: Why Count on Chance (Subway Line), by Hans Magnus Enzensberger PDF

Friday, June 13, 2014

Ebook Free Jim Butcher's The Dresden Files Omnibus Volume 2, by Jim Butcher

Kleemsas | June 13, 2014

Ebook Free Jim Butcher's The Dresden Files Omnibus Volume 2, by Jim Butcher

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Jim Butcher's The Dresden Files Omnibus Volume 2, by Jim Butcher

Jim Butcher's The Dresden Files Omnibus Volume 2, by Jim Butcher


Jim Butcher's The Dresden Files Omnibus Volume 2, by Jim Butcher


Ebook Free Jim Butcher's The Dresden Files Omnibus Volume 2, by Jim Butcher

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Jim Butcher's The Dresden Files Omnibus Volume 2, by Jim Butcher

Product details

Series: Jim Butcher's the Dresden Files Omnibus

Paperback: 440 pages

Publisher: Dynamite Entertainment (October 17, 2017)

Language: English

ISBN-10: 1524104221

ISBN-13: 978-1524104221

Product Dimensions:

6.6 x 0.8 x 10.2 inches

Shipping Weight: 2.1 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#96,353 in Books (See Top 100 in Books)

Full disclosure: I'm a total fanboy. Jim Butcher is one of my favorite authors and his writing is just a delight to read. I was pleased to see that his work translates well into graphic novel form so even though I'd read the original version of these comic adaptations, they were still excellent reads. I can't wait for more original stories to come out in graphic novel form. My one major criticism (which dropped it a star) is that the stories were poorly edited. I found several glaring typos that kinda took me out of the moment. Maybe that bugs me so much because I edit for a living so I'm trained to spot errors, but professionally produced works should really go through the wringer when it comes to that sort of thing. Still, typos aside, it's a great omnibus and worth buying.

Beautiful illustrations with deep color transitions. And who doesn't love a good Dresden tale?!?!?! Excellent read, my boys have read volume I & II and are asking when I will get more. Thank you, Mr. Butcher, for helping my kids love to read as much as I do.

If you're a fan of the books, you'll love the comics. You get a change to get more Harry Dresden and you also get to see what people you've been reading about for years actually look like.

Love everything about this. More stories about a character that I love... and in a genre that I previously loved separately.

I love new Dresden files stories. If you are hungry for more Dresden while waiting for the latest book to come out buy this.

While impatiently awaiting the release of Peace Talks, these omnibus collections of the Comics line are a great distraction.

Beautiful

Amazing

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Jim Butcher's The Dresden Files Omnibus Volume 2, by Jim Butcher PDF

Jim Butcher's The Dresden Files Omnibus Volume 2, by Jim Butcher PDF

Jim Butcher's The Dresden Files Omnibus Volume 2, by Jim Butcher PDF
Jim Butcher's The Dresden Files Omnibus Volume 2, by Jim Butcher PDF

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