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, by David Rensin
Ebook Free , by David Rensin
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Product details
File Size: 1396 KB
Print Length: 466 pages
Publisher: Ballantine Books (December 18, 2007)
Publication Date: December 18, 2007
Sold by: Random House LLC
Language: English
ASIN: B000XU8DBU
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Amazon Best Sellers Rank:
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For some reason, when I picked up David Rensin’s The Mailroom: Hollywood History from the Bottom up, I just expected it to be a book-length exhortation for the chronically un-motivated. It may have had elements of that, but it was so much more. The book focuses on the William Morris Agency’s widely imitated sink-or-swim mail-room training program for agents. For Hollywood buffs, it is a history of Hollywood (and to a lesser extent, show-business New York), not only from the “bottom up,†as billed, but from the inside out. Life lessons abound with hilarious (and sad) stories of savvy cutthroats (the mailroom boy who edges a long-serving agent’s secretary out of her job), screw-ups and hyperventilating basket cases who washed out. The special challenges faced by women and minorities in the program are sensitively addressed (with insights from one-time trainee-secretary Helen Gurley Brown, among others). The role of nepotism and connections in unmistakable (e.g., George Burns’ nephew), but interestingly it emerges that sometimes the nepotism worked out in spite of everything (George Burns’ conscientious nephew). and at other times resulted with the agency being stuck with lazy, entitled incompetents (Doris Day’s son). Dirty little secrets emerge, such as why WMA and other agencies started requiring college degrees (to avoid hiring minority applicants) in a business where street smarts, cunning, ruthlessness and what might be called “emotional intelligence†were and still are infinitely far more important than traditional “book smarts.†Hilarious tales of adolescent and 20-something males walking in on naked or scantily clad actresses) and pranks (e.g. letters with forged signatures from top agents, hired call girls posing as reporters, and even gluing Doris Day’s son, Terry Melcher’s shoes to the floor, since apparently he couldn’t be bothered to wear them) alternate with insight into the world of show-business agents and the entertainment industry in general. The most important life lessons I took away were (1) that if you want to succeed in any endeavor,. you must be willing to start at rock-bottom, however much humiliation and grunt work that inevitably entails; formal education and superficially impressive-sounding academic degrees are no substitute for grit, determination and what Rensin would term “intestinal fortitudeâ€; and (2) oh yes, in the world of Hollywood agencies, as in most other areas of life, a-holes almost always finish first!
What made Ivy League educated young people want to slave in the mail room for ungodly hours for barely sustainable wages, be screamed at constantly, cater to the whims of some very eccentric people, make deliveries in all hours of the day and sometimes night, run demeaning errands and in their spare time, read and "cover" scripts for the powers that be? Well, for the chance to be entertainment agents, to make piles of money and hobnob with the stars. This is the story as told by the successful ones like David Geffin and Mike Orvitz about what it took and really why you had to start there. It was a postgraduate course in how to be a winner in Hollywood and New York. The book covers it all from the early days to post 2000 with entertaining vignettes based on many many interviews. This seems to have been a labor of love by the author and it shows. You will laugh at some of the antics and learn some great tips about how to get ahead in this industry and perhaps anywhere.
I love entertainment business books and this one does not disappoint. Unless you're in the biz, which I'm not, almost all of the names will be unfamiliar. This book has no story. It's a known fact that a way into the entertainment industry is to work in an agency's mailroom, eat sh*t, and hope for your break. This book is a series of interviews with the former mailroom attendees on the good, the bad, and the mental make-up of the wannabes struggling to get out of "mailroom jail". It's funny, informative, and one of those books you can't put down.Many industries have a proving ground. In investment banking we put them on as a trading or sales assistant hoping they will pick up the lingo and learn on the fly. But the agency mailroom seems to be about feeding egos of senior agent's with much more screaming, yelling and attention paid to personal chores. They do mention many of the nice agents as well as the agents who were best at teaching the mailroom guys. My favorite stories are about CAA because it is next door to my favorite hotel the Peninsula and because of the Mike Ovitz aura. Mike doesn't come off particularly well in the book but partner Ron Meyer does come off as a particularly sharp and nice guy.The positives and negatives of the mailroom run from taking your bosses stool sample in the doctor to having nude actresses answer the door. I also enjoyed the stories of the CAA mailroom which had a particularly high level of paranoia. I had met media mogul and former agent, Mike Medavoy so it was interesting seeing his son's quotes who was eventually fired due to information leaked to his father.If you have any interest in the business side of Hollywood, you'll like this book. Other books of interest would be "Wannabe" about an MBA's attempt to succeed at the low levels of Hollywood, and Lynda Obst's book "Hello, He Lied" about her journey from journalist to producer.
Good history book about days long gone. I wasn't in the scene, but good to get a sense of how old Hollywood worked. The stories of mail room workers delivering large checks to the stars, and being encouraged to listen in on all calls was interesting.
At first I wasn't impressed. This is just a bunch of name dropping, I thought. But as I got into it I came to love the stories, the variety of personalities, and the life lessons.
It becomes very repetitive. What a horrible world to live in. Interesting, nonetheless. I bought it used and got a nice copy of a hardback which I gave away after reading.
From the real men and women who started at the bottom and made it to the top and beyond. There is some backstabbing as they all aspire for the same jobs but also the camaraderie of everyone being in the bottom of the barrel trying to get out as fast as possible. Some make it and some don't. A must-read for anyone contemplating becoming a Hollywood agent.
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